Would you expect an artist’s studio to be spotless on a visitation tour? Please don’t! Would you expect their display areas to look like an art museum? Read on to find out for yourselves.
The day was magic, perfect temperature, warm sunshine bathing the mountains highlighting the California poppies, a few wispy clouds against the clear blue sky. A drive to Three Rivers, CA at the foot of the Sierra Nevada Mountains never disappoints, but some days thrill more than others. This was one of those days.
We visited five artist’s studios, signed up for art classes, made design notes, and met some incredibly talented individuals. This studio sits atop a mountain overlooking the Kaweah River as it flows from the mountains on one side, and Highway 198, which is pictured above.
Art students pounded and molded clay projects this studio, even on tour day. One student had to thin her brick when she found out that thick pieces explode when put in the kiln.
We met two of the three artists, Christine Sell-Porter and Bill “Hopper” Sullivan. To take us on the tour, Christine stopped working on her orchid pot that has holes throughout to let the orchid roots breathe.
My husband chatted with Hopper, and signed up to take a class. Christine displayed her paintings and her new experiments with clay, including the ones that did not work. You can get an idea of the beauty of the spring wildflowers from her paintings. She points out another pot she made with the orchid starting to grow.
We also visited a popular painter and photographer across the highway named Nadi Spencer. You can tell artsy people by the fact that the junk in their front yards looks impressive and not like the country dump. My eyes went immediately to the bike, but my husband, who is artsier than I am, noticed the paint cans with matching flowers, and the chairs with matching sweaters draped across the back. You can see the aqua one in this picture after you quit focusing on the bike.
Nadi sells most of her paintings on Facebook by joining groups that love the kinds of things she paints. She paints a lot of dog portraits. Her realistic paintings look like photographs for a high-quality restaurant or brochures with just enough artistic touches to make them fun. She sold both cards and paintings at the show. You can see her self-portrait on the top right.
People came and went the entire time we visited her gallery. One woman came in to pick up some 40 year-old teddy bears she had advertised online. Only a half-door and a huge dog separated her studio from the gallery.
It was getting near closing time for the artists so we headed back home to Elderwood to visit our two neighbors. Not that the Sundstroms and I are unfriendly, but I have walked by this studio several hundred times in the last 15 years, walked with John Sundstrom’s wife, and never met John nor seen the inside of his work area.
John may well have been the most prolific and diverse of any of the artists we visited. He taught for 25 years or so at the Creative Center in Visalia for disabled adults. He said that having the same students for years pushed him to explore many artistic mediums.
The front and center of the studio featured his sculptures out of stone. He showed us the hand chisels and files he used to carve. Being a former dental assistant, I had visualized a power tool like a dentist’s drill that he might have used on these hard rock. He told us that only the company that sold the stones used a power tool to cut the rocks into flat-bottomed chunks. My favorite sculpture glowed from the inside out when illuminated.
Reluctantly we headed upstairs away from the sculptures, but the diversity of his fabulous drawings and paintings quickly captured our interest. He accented this Japanese kimono with gold leaf.
After visiting until after closing time, we left for home, saving the tour of our friend, Linda Hengst’s studio for the next day, and our Visalia artists for Sunday.